Here’s a useful thing I didn’t know I needed: a visual calculator for checking that you’re not overloading an extension lead. Scroll to the bottom of the post to have a play.
I need to sort out my office. It’s such a mess that my work is being impeded. I have piles collapsed into piles. Something must be done, and the preparatory work can’t wait until New Year. Tomorrow, I am going to start throwing out some of the rubbish. Once I’ve got rid of the old paperwork that clogs the empty hearth, and organised my paperwork for this year so that I can actually use it without having to search for every folder before every work day, I’m planning to put shelves up above my desk for the CDs that, at the moment, fill a very large box, taking up space on the floor.
That accomplished, I’ll be able to more easily tell which CDs still need ripping to my server, and they’ll look pretty. I also want to put a shelf up for the Bose music player that I have inherited from my father. It’s more than enough sound for my room, and it has the input module, with red/white audio sockets, so I can have it playing from a computer. The ultimate plan is to add a Raspberry Pi music player, with Volumio installed, so that I can play music from my server without needing to turn on a computer. Volumio is controlled through a phone and the Android app for it is available on F-Droid, so it’s perfect for me, but that’s a project for the New Year.
Anyway, I have worried about having a computer, a monitor, a router and a charger plugged into an extension, but the electricalsafetyfirst site has reassured me. Even with my monitor, a desktop computer, a router and a laptop plugged in, the total only came to 4A, which is less than a third of the safe load for an extension. I can go for a larger extension, such as this one, and still plug in the Bose, the Pi and another laptop, without getting near the 13A limit.
The Socket Calculator has been brought to you by Electrical Safety First.
Last Friday, the day after the election, in a fog of tiredness and sorrow, I went to work, where I dragged learners through English mocks, and fought to believe that anything can make any difference now.
One learner, who manages an incredibly demanding life of balancing the needs of various dependents with a zero hours care job, was late. When she came in, she was, as ever, flustered. She offered her apologies and said,
“I had to get on to the Universal Credit. They’ve only paid half my rent.”
I sympathised and pushed her work in front of her. She completed it in her habitual rush, with her usual betrayal of her intelligence, because her way of coping with a life of overwhelming economic and familial responsibility at too young an age is to do everything in a hurry, avoiding dangerous reflection. We discussed each answer, interpreting how she hadn’t read the questions fully or considered all the options in the multiple choice section, and how, with a few minutes’ care, she is perfectly capable of passing what should be, for her, the formality of this exam. She promised to be early next week, and to take a few minutes to become calm, but I expect she will rush in to the exam room late, pre-occupied by another crisis that she will bravely cope with, as she tries to make the space to better her life.
In the afternoon, she came back for the maths class. I had been preparing for this class for several weeks, laying the ground for nervous learners: it’s the one in which we move from basic calculation with decimal numbers to working with fractions. This is where people give up: they believe that ‘fractions are hard’, and that they have some innate inability to ‘do hard maths’ and this section of the course is always as much an exercise in boosting learners’ self-belief and reflecting on how much they have already achieved as it is about introducing new skills and understanding.
She and my other learner who had turned up – there’s a wave of colds and stomach bugs keeping children off school, and two other women were at home with sick offspring – have developed a friendship that is still at the stage of curiosity about one another. Off-topic discussions, pleasurable as they can be, are a headache for me, as I only get two hours each week to teach a demanding curriculum. I had given them their warm up task – a few questions on what we had covered the previous week – and checked that they knew where they were with it, and I left the room to go to the loo while they completed it. By the time I got back, they were discussing the election result.
I groaned inwardly, and cautioned myself to be like a fly fisherman with a bite: to let it run until I could feel they were tiring and then take control again. A few weeks before, as part of my duty to ‘promote British values’, I had used a voter registration poster in our English class for an exercise on identifying presentational features in a text. At the time, the learner of whom I am writing had asked me my politics and I had explained that I wasn’t allowed to say, and she had responded, after a discussion of why that was sensible for a teacher, that she reckoned I was for Corbyn. At the time, I’d congratulated myself on remaining neutral. Now, as I sat quietly, waiting for my opportunity to get them back on task, she said,
“I was right about you.”
She’d seen a photo on the local newspaper’s website, in one of the few articles the openly Tory-leaning rag had bothered to publish on Labour’s campaign, that had a picture of a group of Labour supporters gathering for an event in Ryde, smiling, comradely, happy, optimistic. At the back, peaking over the shoulder of the shorter man in front, grinning like a hungover idiot, I was clearly visible.
“You know I can’t talk about it,” I said, shaken.
“Yeah,” she said, “I voted for Boris. I’ve never voted before, but I voted Conservative.”
It was as if she hated me. I know she doesn’t, but that was how it felt.
I haven’t blogged about this election, beyond changing my homepage to a trite meme and linking to a couple of socialmedia posts I’d heard about through the news. I haven’t blogged much this year, of course, but I did expect that, when the longed-for election campaign happened, I’d be leaping into prolix action, as I had in 2017.
Instead, I’ve been involved, ‘on the streets’, and through the Constituency Labour Party’s own systems. I’ve been the assistant secretary of the CLP for nearly two years, but that has, until recently, only meant being the keyboard monkey for the secretary and chair, both of whom have become friends. Just before the election started, however, the chair withdrew himself from consideration for the position of candidate, having been subject to sustained vilification, including threats to his family, since the last election, and the secretary got himself locked out of the Labour comms system for a mistaken breach of the opaque rules, which have more to do with internal politicking within the national party structure than they do with making the system work.
Thanks to these circumstances, my role became, accidentally, central. Over the last six weeks, I have probably written more words than in the previous twelve months. They just haven’t found their way here. The chair, who had become the new candidate’s campaign manager, told me, late on in the campaign, that his role was taking the fight to the Tories, and my role was galvanising the troops. I hadn’t been told that before, but had simply adopted the job that I didn’t see anyone else doing, or being in a position to do.
Each day after work, once I’d done enough to be sure that I would know where I was for the next lessons, I turned off my work laptop and went straight on to my own computer, where I would often be trapped until after midnight. If the next day wasn’t a teaching day, I would be out with the Cowes and East Cowes branch, delivering leaflets door-to-door, or helping with the distribution of garden signs and posters to people who had contacted the party, asking how they could help. In the evenings, there were many events, most of which were a pleasure: I have spent more time in pubs over the last few weeks than I have for many years.
At first, it was exciting. I was surrounded by people who believe, broadly, in what I believe: that humans are only of any account if they serve the group; that selfishness is a moral and intellectual failure; that the dominant political and economic system is, without question, evil – childish, rapacious and evil – but that elation had, after the first couple of weeks, begun to compete with exhaustion. I did not, however, lose hope, but I began to feel a little let down by comrades whose belief in the coming victory of justice and good sense was tempered with caution.
Two things gave me a different outlook to the majority of people fighting for a Labour victory in this election: my Christianity and my disavowal of social media.
I am not an ardently practising Christian, but I came, through the nineties and noughties, to realise that I cannot escape my faith, and that the arguments against faith that were trendy in those decades, were, in the words of Terry Eagleton, a process of Lunging, Flailing, Mispunching against a system of thought that the neo-atheists wilfully misunderstood and misrepresented. Earlier this year, I joined Christians On The Left, and one of the results of that is that I have been receiving a remarkable set of emails, the 2019 Prayer Diary. Written by a theologian who only introduced herself as Hazel, they were wonderfully welcome at a time when I didn’t have the space to read my normal blogs and news for which I receive update emails that, through the campaign, I simply had to delete, to be able to keep up with my inboxes. Each day, though, I read her prayers, and then got on with whatever needed doing.
As for social media, I think my absence from it since July 2017 has given me the clarity to think for myself and to avoid the political panic to which I am prone and which, I think, guided many people in this election. The Tories are crisis capitalists: they thrive on the established P.R. tactic of Fear, Uncertainty and Doubt (FUD). I suspect, without being in a position to offer evidence, that this was the election in which the capitalists realised their technological dream of controlling people’s reactions from within. I may expand upon that at another time, but I think that, accomplished as we in the Labour Party are at using social media to make ourselves feel effective, it means nothing unless the people who own the media are on your side.
…accomplished as we in the Labour Party are at using social media to make ourselves feel effective, it means nothing unless the people who own the media are on your side.
Actually, I did rejoin Twitter for the duration of the campaign. It helped me to keep up with events in the CLP, where a disparate set of groups, spread over the largest constituency in the country (by population), were arranging their campaigning efforts semi-autonomously, and were not always brilliant at communicating outside their social media bubbles. I tried to join Facebook as well, but was frustrated. I think my use of Firefox’s Facebook Container extension, coupled with a disposable email address and a phone number linked to a burner SIM card I had no intention of using again, tipped the creepy capitalist bastards off. I’m rather proud to have been blocked by Facebook before I posted a thing!
A facile pretence of utility and ubiquity have made social media essential in politics, and have, I believe, handed the reins of power over to a capitalist hegemony as completely as any other factor in this election. I had set up my home server, after two years of study and trial and error, less than a month before the election was announced, and would have been lost without the calendar, to-do lists and contacts server it hosts, but I was still obliged to use a Google calendar for shared calendaring with the CLP. We need to look at owning our infrastructure, but it’s a hard sell. People who automatically accept the ‘services’ to which they are tied by their choice of computer system and mobile phone have a hard time understanding that they are being used, when they have put so much effort into just mastering the technology that seeks to control them. The idea that it is escapable defeats them, as the idea that all politicians are not the same defeats people who are struggling to survive in an economic system that is tightening around their lives. There is a simple answer (simpler than the route of learning and self-building that I have used), but how many people will make the effort to do it?
Earlier this year, I read Democracy Hacked, by Martin Moore. A couple of months ago, I read, almost in one sitting, the Edward Snowden autobiography, Permanent Record and, just before the election was called, I bought The Age of Surveillance Capitalism, by Shoshana Zuboff, which I will now have the time to read fully. If you want to understand what has happened to democracy over the last decade, you need to read these texts. You do not control your data, and, consequently, electronic communication does not, any more, give us a full say in our democracy. We’ve overthrown one tyranny of informational cartels to replace it with another. We need new mechanisms of resistance.
I’m not keen on going into mainstream media’s role in this election. Enough people are already examining that, although I will add a couple of personal observations. Firstly, the full emotional crash of the exit poll was pre-announced by about twenty seconds, for me, by the smirk on the face of Andrew Niel as he talked over the countdown to it. Rattling through his bland script, he looked as though he had a hand stuffed down his truss, so excited was he by the predicted result to which he, I assume, had had early access. If you believe in democracy, honesty or truth, the BBC is not your friend, any more than Facebook is.
Secondly, it dawned on me, as I angrily skimmed The Guardian’s website each morning, that the key figures among its columnists and editorial staff are probably on a lot more than £80,000 per annum. I think their utter betrayal of democracy is a good enough reason to not ‘support independent journalism’ for another year. Let them take comfort from their massive wealth, their second homes and their positions of quisling influence.
There is a lot of commentary on the election leaping out and I haven’t had the heart to try to keep up over the weekend. Yesterday, Saturday, we met other Island Labour members in a Newport pub to have a bit of a thank you session, with the candidate, Richard Quigley, a gloriously happy, funny, clever and warm man, bringing his wife and daughter so he could say his personal thanks. Richard has been a pleasure to support in the campaign, as Julian, his manager, was in the last. In the pub, many of us were talking about how we are now facing the very real dread of the last restraints being released from the Tory plunder of our country’s assets. We’re thinking about the fact that we will not be able to afford ‘health insurance’ when the Fascists pocket the bribes from the Yank money and drug industries; we’re thinking about the fact that those of us who are in public service jobs will probably endure a continued slide into deeper and deeper working destitution, if we are lucky enough to keep our jobs. We are finding it harder to think without real, urgent horror of the fate of disabled people, homeless people, people who cannot find legal redress for rape or harassment and how soon it will be our turn to join them. It’s personal. Dying, untreated, of some wretched cancer, or living with pain that would be treatable if we were part of the 5%, now seems like our common fate.
What we are supposed to do, if we follow the advice that we have told ourselves since Jeremy Corbyn first gave us hope, is to pull together, look to one another, and begin to support those people already jettisoned by the Tories’ campaign of exclusion and abandonment. Some people are talking about it, but we all know that the Blairites will try another doomed and deluded attempt to drive the party into impotence by reopening the insane whinges they’ve been picking at since they were crushed in 2015. And, pathetic as their positions are, they have The New Statesman and The Guardian behind them, so they don’t have to be right, just shamelessly persistent.
So, I’m looking at my position. If infighting does get a grip, I may decide to not stand for local party office at the next AGM. Over the election, I have made new friends, or deepened existing ones, and the idea of becoming a social activist, working on practical projects, rather than just being a political campaigner, appeals to me. Food banks, advice and support networks, and care volunteers are all able to affect lives in a way that, while it is not as powerful as political office, is more useful than arguing over dogma and political tactics. And, if I convince a few people to see through the lies of the capitalist hegemony on the way, all the better.
One other thing is troubling me; an issue that is like the ticking bomb that fascists love to use to justify their cruelty. If, by some miracle, the vile Bozo Johnson manages to hold together a government for five years, the timeline for installing a government that will meet its responsibilities to the climate emergency before the deadline that scientists now say is the very latest chance to save human civilisation will be halved. We have to stop the Tories before then. We have to. I am ambivalent about Extinction Rebellion, but I think it’s all we’ve got left. We are into a period of resistance, not participation.
Let’s get back to my Tory voting learner. I can’t discuss her much more closely than I already have, but I can make some guesses about those things that drive her. Not ideologically racist, she has, I suspect, suffered humiliations at the hands of people whom she perceives as different, and came to the Island, partly, to get away from communities that are in turmoil and have been turned against one another by poverty and poorly resourced and led policing, social structures and political leadership. For her, Brexit seems like a triumph of the poor over the powerful: a reversal of the truth, as it turns out, but if your information comes from social media and tabloids, you can continue to believe that.
For her, also, they are all the same. It’s the FUD lie of lies, that says that politics is pointless and the safest and bravest response is to follow the herd. Political voting is confused with voting for a Love Island contestant, where the outcome is similar to a bet: you win if you back the winner.
In truth, of course, backing the winner in this election has guaranteed that the phone calls she gets, when she says, “Someone after money: they can jog on,” will increase. The waiting time for her Universal Credit will lengthen, the amount she is entitled to reduced, so her debts will deepen; the inadequate working protections she has at the moment will be removed one at a time, until she will be paying, not only for her work travel, but for her uniform, her equipment, and, finally, for the privilege of being employed.
She hasn’t yet noticed, I suspect, that the NHS has been privatised. The fact that ‘Boris’, as she calls him, lied about putting more money into the NHS hasn’t got through to her. They all throw figures around, don’t they? They’re all the same.
When she told me that she had voted Tory, I stared at her for a moment, taking in her beauty, her nicotine-stained front teeth, her bravely well turned out appearance that is testament to her courage, given the hours she works, and then muttered that I couldn’t get into it. It was an uncomfortable moment.
She got on with her work, doing well, grasping lowest common multiples and then comparison of fractions, but the moment must have lingered for her, as well as for me. I realised that, for her, I am part of the body of authority that keeps her working and working and working, denying her the right to gain full realisation of her talents and potential and, by confronting my politics, she was asserting herself; laying claim to a dignity she doesn’t realise I already see in her. She’s not to know that I earn less than her, and that, for all my education, I am as constrained and limited by the political and economic system as she is.
Finally, as we were summing up the learning at the end of the class, she brought it up again.
“It bothers you, don’t it,” she said, reverting to her mannered London speech, which is not how she usually talks to me.
I wanted to channel Jonathan Pie, and descend into a rant that would contain all the frustration and pain I had been feeling since ten o’clock the previous night, when Huw Edwards and Andrew Neil had gleefully pronounced my country’s doom. I stared into her eyes for a moment, trying to find the right thing to say. Nothing came.
In my struggle, I remembered Christians On The Left’s prayer email of that morning. I hadn’t absorbed it properly: I’d been too tired and too sad, but one line had jumped out at me:
Be still, and know that I am God (Psalm 46:10)
I stopped searching and words came.
“Your vote is your own choice,” I said. “It’s wonderful that you voted. The fact that you have voted, for the first time, is a really good thing. The more people who vote, the more powerful all our votes are. I celebrate that.”
I doubt I fooled her. I suspect that, given the struggles she has and the job she does, she is a perceptive person, who saw how much pain I was in. However, she smiled, packed her bag, and went on to her next obligation, her courage and dignity undamaged by our exchange, knowing a little bit more about maths than she had when she came in.
I have believed for a long time that the best way to understand how humans relate to the world is through stories. It’s a thesis that’s kind of a given in many fields, and the influence of structuralism, post-structuralism and other bodies of theory on my degree certainly exaggerated the idea for me, perhaps beyond a reasonable level, in my twenties and thirties.
However, with the collapse of the dominant, and patently false, hegemony of monetarism in economics, the idea of definition by narrative seems to be gaining a hold in that discipline. Barry Eichengreen’s review of Robert J. Schiller’s new book, Narrative Economics: How Stories Go Viral And Drive Major Economic Events, had me grinning with recognition. When I was at uni, the economics students would sneer at us Cultural History guys, confident that their subject was more the demanding and rigorous field. It’s nice to feel we may have been ahead of their game, and to recognise that, for all the damage their game does, it is, really, just a variant of ours: an ideology defined by its parables.
In the nineteenth century, the institutionalisation of scientific thought led European culture to attempt to reframe all its intellectual structures into new forms of quantitative expression in the search for certainty. What this shift gave the majority of us was the tyranny of the argument by authority: you cannot challenge a lie expressed in a graph unless you have access to the data, as well as the knowledge, and status, to re-express that data.
The fact of the excluding quality of this Knowledge, Power, Institution Triangle has long been challenged as a weakness and, in the developing democratic crisis triggered by the insanely accelarated spread of knowledge created by electronic media, this weakness has become obvious. We need new ways to look at our power relationships, because the dominant hegemonies are, simply, wrong: garbled fables expressed in inadequate syntax and divorced from the lived experience of the majority of people who are subject to their institutional power.
To have value for the betterment of the human condition, stories need to be, at their heart, rooted in truth.
There is a corollary to this in my current reading: The Age of Surveillance Capitalism: The Fight For A Human Future At The New Frontier Of Power, by Shoshana Zuboff. Zuboff outlines and critiques the meteoric appearance of new institutions of power ruled by people who have understood the potency of the control of narrative but are enthused by the collection of data and its manipulation as their driving impulse. For the surveillance capitalists, the story is shaped not by its truth, but by its utility to the reinforcement of their power. This is a disaster, as it overwhelms the desire for truth that was the positive strength of the scientific revolution and harnesses the shadow power of story not as clarifier but as distorter or a frame of restriction: they are propagandists, not seers. Much as they like to present themselves as visionaries, they are, in fact, self-serving professional liars, trying to monopolise the greatest technological innovation since the printing press; turning the internet from a library to a totalitarian shopping mall (with a very large, slave-staffed brothel attached).
I haven’t blogged much over the last year. Grief and depression took away my hope and my curiosity for quite a while. Now, though, ideas are grabbing me again. There’s an election underway, and the hope of change hasn’t been crushed by the right-wing backlash, but sharpened by it; given focus. We need our stories and we must put our energy into shaping them, so that they are rooted, not in the pursuit of power, but in a respect for the primary importance of truth.
I don’t have access to the Schiller book through any library and can’t, this month, afford a copy. If anyone felt like being nice and chipping in for a copy for me, I’d be very grateful. Comment below.
By DanceswithcatsComments Off on The Great Orange Pastiche, Donnish Spats, Interspecies Descent, Terror Law and Asset-Stripped Justice
Saturday morning with a new edition of the LRB, a pot of coffee and no dog-walking duties: pure comfort.
My work for the week is complete, my folders organised for a couple of hours’ work on Monday, so that I am ready for teaching on Tuesday. I can forget work for two days. Amanda is meeting a friend to walk Tia, so I have settled in my office chair, logged in to the Naxos muxic library with my Isle of Wight Library card, and have enjoyed an hour and a half of reading.
As often happens, although nothing leapt out at me from the cover of the current edition of the review, every article I’ve read so far has been engaging. The opener is a review of Bob Woodward’s recent book on the chaos of Trump’s presidency, Fear: Trump in the Whitehouse. It is difficult to know what there is to be said about Trump’s reign of confusion and hatred that has not already become cliché. Even Woodward’s book has been so widely reviewed, trumpeted and quoted in the month since its publication that I feel I have already read it. David Runciman, in reviewing it, picks on the idea of office politics; the bickering of the mundanely selfish, and observes the extent to which the current American administration has demeaned the role of government in the United States.
Sure…all workplaces contain their share of plots and vendettas, backstabbers and arse-lickers, people on the way up and all the ones they’ve trampled on to get there. But actual politics is about more than that: the power it brings extends well beyond the immediate working environment…
Except, he concludes, in the reign of the great orange pastiche, it doesn’t. Trump does not understand the forces he is supposed to participate in and does not care. His only tools of government are extemporised pronouncement, self-acclamation and hiring-and-firing. He has reduced government to something less, but we are all, Runciman included, struggling to find the correct image to explain the mess.
I had a strong sense that Trump reminded me of someone I had seen regularly on TV, but it wasn’t TV’s Donald Trump. Then I got it. The working environment this White House brings to mind is a reality show that displays a deeper level of truth by being entirely unreal. Woodward’s book reads more than anything like a mockumentary, and the person Trump most resembles is David Brent from The Office. He has the grating inadequacy, the knee-jerk nastiness, the comical self-delusion. But he also has something of the pathos.
The letters pages of the LRB are a slow-burn enthusiasm. I used to skip them, feeling that any pleasure they offered was of the voyeuristic, petty sort experienced by venturing below the line on online news websites. However, they are curated by the editors and are, as a result, always relevant to a regular reader of the publication.
That is not to say that a taste for pettiness goes long unrewarded. This issue, there is a further development – a reply to a reply – in the delightful feud between Rhodri Lewis, author of Hamlet and the Vision of Darkness, and Michael Dobson, who wrote an eviscerating review of that book in the LRB of September 13th. The editors of the paper are wise; they let these academic spats blossom for just long enough for both sides to get a few digs in and then draw a veil over them, so I suspect Dobson’s current letter will be the final say. He has used it well. Taste the vinegar:
Lewis closes by observing that ‘on two or perhaps three occasions I have been seated in close proximity to Dobson at the theatre,’ and he is generous enough to speculate that my apparent obliviousness of his presence may have been feigned out of politeness. I am sorry to have to report that my obliviousness was merely genuine. However, now that I have read Lewis’s letter and his book and seen his image on a dust jacket, it will be possible for me to ignore him in future every bit as politely as he could wish.
Or, to put it another way: “That’s you, that is.”
Pleasurable as this is, there are several serious letters in this issue that extend the topics of recent articles without descending into vitriol, erudite as that vitriol is. In particular, I was interested in the letter from Steve Balogh about the article Neanderthals, Denisovans and Modern Humans, by Steven Mithen from 13th September, which reviewed Who We Are and How We Got Here: Ancient DNA and the new science of the human past, by David Reich. The original review had made an impact on me because of the force with which it made the case that racial distinctions between humans are scientifically meaningless, and the stress that modern genetic researchers are laying on this argument. Biology has a dark history of -sometimes deliberate; sometimes incidental- racist interpretation. Now, even well-intentioned work such as Reich’s is laid open to examination in moral and social, as well as scientific lights:
Earlier this year, Buzzfeed published an open letter signed by 67 scientists and scholars in the social sciences, law and humanities about Reich’s treatment of race…The signatories recognise ‘the existence of geographically based genetic variations in our species’, but argue that ‘such variation is not consistent with biological definitions of race.’ Their position is not that human populations ‘have no biological attributes in common’, but that ‘the meaning and significance of the groups is produced through social interventions.’
The article left me with a view of a much more varied and sunny history of human and proto-human interraction, in which the boundaries of species definition are less sharp than we might imagine: an analogue to the answers we all wish racial absolutists would learn about racial definitions. However, this, according to Balogh, might be a misinterpretation. I quote his letter in full:
Steven Mithen steps carefully around the issue of the fecundity of the offspring produced by couplings between ancestral hominin species (LRB, 13 September). The initial sequencing of Neanderthal DNA was of mitochondrial DNA, which is passed only from mother to daughter. It proved to be entirely distinct from that of Homo sapiens: there is today no one on earth whose mitochondria comes from a female Neanderthal ancestor. This means that interbreeding produced fertile offspring only through mating between Neanderthal males and Sapiens females. Subsequent analysis of autosomal DNA showed that the Neanderthal Y chromosome went extinct as well. This means that of the hybrids, only the females were fertile.
The implications are clear: relations between the two populations must have been difficult.
Nevertheless, the developments in DNA archeology are rapid and fascinating. It is an area of study with which I want to keep up. We are a long way from truly understanding what it is to be human, and this new technology has a lot to teach us and a potential for misuse of which we need to beware.
It’s all about race, and its underlying impulse, hierarchicalism. All the mess of Trump’s misrule, and the broader darkness of capitalist inequality, come back to the separation of humanity into groups enjoying legitimacy and dominance and others excluded from that illusory social fortress. Two very different articles highlight this. The first is an account by Thomas Laqueur of a tour of Montgomery, Alabama, focussed upon the new Legacy Museum, a project of the Equal Justice Initiative. The second is a short, coldly angry article by Francis FitzGibbon about the destructive effect of austerity-led misrule over the U.K. justice system, of which, more later.
The Legacy Museum catalogues the scale of the horror of slavery, both when it was the basis of the U.S. economy in a legal framework, and in its reinvention as an extralegal economic structure, skirting the boundaries of slavery’s abolition. I recommend clicking on the link in the previous paragraph. On its home page, there is this:
The Story: Slavery Evolved. To justify the brutal, dehumanizing institution of slavery in America, its advocates created a myth of racial difference. Stereotypes and false characterizations of black people were created to defend their permanent enslavement as “most necessary to the well-being of the negro” – an act of kindness that reinforced white supremacy. The formal abolition of slavery did nothing to overcome the harmful ideas created to defend it, and so slavery did not end: it evolved.
Lynchings served as the enforcement arm of a parallel state in the U.S., and, in a way, they still do, although that parallel state now has one of its most enthusiastic denizens in charge of the greater nation. The sheer scale of the terror is dizzying: 150 deaths in a particular incident (more people than died on Kristellnacht), three a week through the 1890s and one a week or more for decade after decade, and well into the civil rights era. But it is the deliberateness of this sustained failure to concede the wrongness of one racial identity’s power over another that repeatedly shocked me throughout Laqeur’s article:
Lynching – charivari at its most violent, a murderous popular enforcement of majority community values – has nowhere else in the world been employed for as long or as often as in the United States. There are incidences of it in some Central American countries with weak governments; it is now on the rise in India. But it is indigenous here. Before the Civil War whites were the primary victims, especially but not exclusively in the relatively lawless west. After it, close to 75 per cent of lynchings were in the deep South; more than 90 per cent of the victims were black…But the story of African Americans constitutes a special case. No other post-slave society turned to terror lynching to maintain white racial dominance.
And they were horrible murders, as well: the atavistic desire to make the outsider suffer and to revel in his, or her, suffering.
In a 1909 article called ‘Lynching, Our National Crime’, Ida B. Wells identified another, unassimilable strangeness: ‘No other nation, civilised or savage, burns its criminals,’ she writes. ‘Only under that Stars and Stripes is the human holocaust possible.’ Europe had not seen public burnings since the Spanish Inquisition and the burning of heretics after the Reformation. Racial terror was more than instrumental: the hundreds of carnivalesque burnings and hangings were ritually constitutive of the white South, a holocaust in its Old Testament sense. Lynchings were sometimes responses to primitive fears of the sort we usually connect to the early modern European witchcraft trials and medieval pogroms: Charlotte Harris was lynched in Rockingham County, Virginia ‘after a white man’s barn burned down’; three people were lynched because the white family for whom they were working claimed to have been poisoned; seven black people were lynched near Screamer, Alabama for drinking from a white person’s well.
There was always a pretext for the random murder of black people, then as now; often spurious sexual accusations, but, among the many other lies, rejection of a business offer or trying to vote seem to pierce the crazed patina of pseudo-moral outrage of the murderers, just as traffic stops by modern, poorly-trained and heavily armed police forces make us see through the lying generalisations about black American criminality. We should not believe, however, that these pretences were (or are) anything other than rationales for power, because the murderers didn’t (and don’t). They knew (and know) what they were (and are) doing.
The so-called Wilmington Insurrection was, in fact, a coup; whites, furious at the victory of a mixed-race coalition in a local election, started a rampage. At least thirty blacks – the EJI puts the number at sixty – were murdered. ‘North Carolina is a white man’s state and white men will rule it,’ the local paper announced. ‘No other party will ever dare to attempt to establish negro rule here.’
The rape pretext, like all the others, can be linked to slavery: a metonym for the white fear of blacks in revolt. In her 1911 memoirs, Rebecca Latimer Felton, a leading Southern advocate of women’s rights but an inveterate racist, made the link blindingly obvious: ‘Southern fathers and husbands’, she wrote, remembered the fear of slave insurrections during the Civil War, and were ‘desperate as to remedies’. ‘It is the secret of lynching instead of a legal remedy. It was “born in the blood and bred in the bone”, and a resultant of domestic slavery in the Southern states.’
The other aspect of this terror-dominance is the misuse of formal legal structures to embed inequality. While the U.S. has seen a steady decline in overall crime over several generations, the imprisonment of black men has become its own holocaust. Neither is this a new phenomenon.
The museum shows how the Black Codes passed by Southern states after the end of the Civil War to restrict the occupations, movements and wages of former slaves led to the rise of incarceration of blacks for petty crimes, partly as a result of their inability to pay fines for small infractions. It also documents the advent of black convict leasing, when prisoners were hired out to provide labour to private companies. It is not hard to see the present in that past, and some of the continuities are almost parodic. The notorious 19th-century Louisiana State Penitentiary is known as Angola after the sugar plantation on the same site which was worked by slaves before the Civil War; after the war it remained a sugar plantation but was worked instead by black convict labour. Those not needed on the plantation were hired out elsewhere. But unlike expensive privately owned slaves whose lives mattered, leased convicts were disposable. In bad years the death rate among leased prisoners was roughly equivalent to that in the labour camp part of Auschwitz.
The final article I read this morning, and the one that made me put down the LRB and decide to spend another morning blogging, was a Short Cuts piece by Francis FitzGibbon on the deliberate, catastrophic dismantling of public justice funding in the U.K. When I stopped working (as a teacher) in the criminal justice system, in 2013, the prison system was at something of a high point. Much was wrong with it still, of course, and the creeping privatisation bode ill for the future. However, the generation of prison officers whose attitudes had been formed in the anarchy and violence of the 1980s (known within the service as ‘the dinosaurs’) had, by and large, been removed, or been sidelined, to be replaced by educated, professionalised officers of commitment and understanding. Suicide, self-harm, violence towards officers and other prisoners, and even reoffending across all types of crime were as low as they had ever been. While Disney had made an expression of interest in the next round of privatisations, and G4s and Serco were defying their incompetence to hoover up more and more of the funds available to prisons, the New Labour government, for all its varied and manifest failings, had managed to keep a lid on the U.S. style marketisation of prisons in this country, albeit a shaky one.
Today, five years later, we are in a state that is probably as bad as the worst period of the eighties, although, with the collapse of principled journalism, you would hardly know it. Prison unrest and assaults against staff; suicide rates that indicate it is becoming a tolerated norm for prisons to suffer regular self-slayings; staffing levels that make the delivery of even basic safety, let alone meaningful activity serving towards rehabilitation a wistful memory: the horror mounts up, virtually ignored by society at large.
Unusually, though, in this political and social disaster, there is a clear culprit. I have been amazed by the continuing power of a particular Tory Minister: Chris Grayling. He is a base, incompetent ideologue, with his eyes firmly set upon the dismantlement of a working U.K. FitzGibbon, focussing upon the effects his criminal uselessness have had upon the courts system, more than on prisons, has this to say about his tenure as ‘Justice Minister’.
Criminal justice has long been a sandpit for policy-makers, with the political imperative being always to appear ‘tough on crime’. It would be unfair to blame one man for the present state of affairs, but for casual ineptitude no cabinet minister comes close to Chris Grayling, lord chancellor and justice secretary between 2012 and 2015…Prison budgets have been cut by about 30 per cent. Grayling stopped prisoners receiving books. He cut the numbers of prison officers. He hived a large part of the probation service off to private companies, several of which have performed poorly and have had to be saved from going bust by the taxpayer. His legacy is the violence and anarchy that reigns in many prisons today.
I have long loathed Grayling. I find it hard to believe that he was not taking bribes or, at least, working in partnership with organisations in whose interests it is to asset-strip the justice system, on the promise of later favours. Otherwise, why, for fuck’s sake? Why?
Trump, interspecies rape amongst early proto-humans, lynchings, political corruption: all these horrors make it sound as though I have had an uncomfortable and angry morning. Nothing could be further from the truth. In a time when the BBC bases most of its news on the press releases of American corporate lobbying companies and The Guardian is lost in a trap of protecting its writers’ London property interests against all political good sense, reading the London Review of Books gives me a slight reassurance that, on many issues, I am on track, at least in general terms. I am outside the LRB’s social and economic class: the subscription is barely within my means now that my hours at work have been cut, but the recognition that I am not alone in my preoccupations is an important pleasure for me.
Being as on-trend as I am doesn’t come easy, and this post is an example of that. Over the last couple of days, I have had an obsessive relationship with a rap album by the actor and rapper Riz Ahmed. For a little while, I thought I had discovered a hidden gem, but it turns out that it is, in fact, two years old and has even been reviewed in Newsweek.
No matter. I love it, and this blog is about things I love. First, though, I need to indulge in a little self-justification.
For many years, I have sought serenity in music, rather than challenge or enlightenment. My escape from the depression and desperation of my twenties and thirties caused a change in my musical tastes. Rock, pop and dance gave way to classical, jazz and (my secret shame) lounge electronica. Ideas are there, at least in the classical and jazz, but they are behind the music, giving rise to it, for the most part; not written into its performance.
Hip-hop and its descendants have had hardly any impact on me. I used, sometimes, to listen to Trevor Nelson on Radio 1 when I was delivering pizzas in the year after I graduated from university, and, I bought Dre Dre’s 2001 in a burst of curiosity after hearing it played by colleagues when I ran a warehouse office, but my feelings about it mirrored the summary on its Wikipedia page: “2001 received generally positive reviews from critics, many of whom praised the music although some found the lyrics objectionable.”
I was a taxi driver in Portsmouth when Dizzee Rascal’s album Boy in Da Cornerfilled radio with a convincing British rap voice. I was paying off a deep swamp of debts then, though, and living in insecure housing, so buying music was a rare luxury. When I did go to gigs or copy a CD off a mate, it was with a group of students I’d worked with before I got my taxi license, and they favoured the bland brit rock of the time – Snow Patrol, Elbow and Muse – , or the type of American rock that I imagine was what U.S. army tank crews listened to as they shelled villagers in Iraq and Afghanistan, and targeted Arabic journalists: Red Hot Chilli Peppers, Foo Fighters, Green Day, but not Blink 182, whose fifth album, for reasons I cannot now imagine, I broke my self-imposed austerity to buy. Jungle, Dubstep, Drum ‘n’ Bass, Grime; these were for young people living metropolitan lives, and I was no longer young, and was stuck in a provincial city where local radio playlists ruled. Years later, for a year or two, working in the virtual campus in Camp Hill Prison, I was surrounded by young men for whom music was rap, Grime and their subsets, leavened with a little R&B. It was the people who excited me, though: their stories and attitudes, resentments and hopes. The music they championed left me cold, and feeling excluded. I realise the irony of this.
So, I enjoyed the grime I heard on the radio, but I didn’t take it to heart or listen to it in a way that brought it alive to me. Similarly, although I used to occasionally listen to the BBC Radio Asian Network when the taxi I hired had a DAB radio, and was quite a fan of DJ Nihal for a while, I have not really followed the influence of British Asian voices on pop music. I am too old for the anger and lust and demonstrative introversion of pop music now: the season of semen and sin has passed for me, and the pop and rock music that does reach me all sounds so alike, so much a variation on half-a-dozen repetitive themes, that none of it rises above the status of background noise.
Via an interview with him on The Daily Show (for which you’ll need a VPN service unless you’re in the United States) I came across Riz Ahmed’s music, released under the name MC Riz. He and Trevor Noah discussed his first released track, Post 9/11 Blues, which was banned in the U.S.
I searched for him and found he had two albums on Bandcamp. Neither included this track, but I streamed the more recent one and was mesmerised. I paid a fiver, downloaded it, and put it on my little music player, then I took the dog for a walk and listened through the album. I came home, plugged the music player into the kitchen speaker, and played the album through again as I cooked supper. This morning, the first thing I wanted to do was to play it through again.
It’s called Englistan. I’ve embedded it at the top of this page. If you haven’t clicked play, do so now.
n.b.: I’ve transcribed the lyrics in the quotes below as I hear them. I may have made errors.
The album – he calls it a mixtape – is a series of meditations on the pressures of identity. Specifically, he is concerned with the conflict between his Englishness and his identity as the child of Pakistani immigrants.
Since we were small/we’ve been taught a certain way to be is law/It’s deep-seated, like genes are for/”My son, our people came to these shores/with nothing/honour is all we brought/so keep your culture/keep the thought, son”/Last of the Mohicans talk/Since we felt like outsiders/this helped define us/and we made it our choice/but now, I’m just confused/half-Mohican, half-cowboy/Cos life slips/ideas mix/Is it best of both/or two lives I live?
For a white, provincial, middle-aged man like me, for whom mass culture pretends to speak, it is difficult to imagine the specifics of such a situation. Again and again, Riz’s lyrics are revelations.
‘Scuse me moosh/Pardon me/nah, don’t mind me/I’m usually lost/hard to see/…the usual crop of wannabes/all get in the way/hiding me from public view/I’m not included/in any scene as a useful unit/Hybridity gets low YouTube hits…Paki till I drop/UK till I lose it/Never fitting in/Let the beat prove it
However, While that is a central issue, it is only one element in a rich set of themes, and much of the result is broader and more universal than just Asian representation, important and credible as that concern is. The title track, and the first one on the album, sounds, at first listen, as though it mocks Englishness. The chorus says…
God save the Queen/now she ain’t mates with me/but she keeps my paper green/Plus we are neighbours see/On this little island/politeness mixed with violence/This is England
This is not a specific view. Even on the Isle of Wight, his list of grievances about the sheer awfulness and sordidness of the state of England now resonate vividly.
Where the money you make/And the man you are/stand in opposites/so you drink too hard/Where the banks rob you/and the news is half the truth/wrapped up in boobs and arse/Pigs hit kids so/bricks hit windows/and the high street burns/with broken dreams and herb/Only thing you can’t find in Tesco/is that/and a sense of worth/
However, there is affection, and this line gripped me every time I played the song.
Is Britain Great?/Well, hey! Don’t ask me/But it’s where I live/And why my heart beats.
Isn’t that a central conflict in Englishness for all of us: the weary, stupid prejudice of English exceptionalism, constantly being pumped out at us against all evidence? I have felt this; what he says. This stupid myth of British ‘greatness seems to me to be a national leg-iron, smothering the more realistic love that we feel for the idea of a national identity that is at the root of how we are aware of ourselves.
If Englistan had simply stuck to these themes, continuing to explore them, I think I would have found this a fascinating and enlightening album, but on the fourth track, Sunburst, Ahmed changes tack, to a far more personal topic.
I was caught out by this song. I was depressive for two decades, and it has left its shadows, although I rarely think, explicitly, about it now. Nothing that anyone says about depression is new: its mundanity is part of its cruel strength. It is a paper tiger; an ephemeral bully that, when it has you in its grip, feels all-powerful and inescapable. Ahmed tackles it head-on and comprehensively. Inertia, self-loathing, exhaustion and, centrally, the apparent uselessness of all the trite remedies that only work against despair when you are already through the worst of it, are muttered urgently through clenched teeth in just over four minutes. Through it, though, an R&B refrain repeats and builds the only remedy any of us can offer a depressive: reassurance.
I want you to know now/sunburst will soon come/after rainclouds
Riz duets this chorus with the guest singer, Tawiah between two verses of bleak descriptive rhyming, then there’s a break, and he sings a final verse of brave, common-sense defiance and advice.
First things first/don’t beat yourself up/it makes things worse/It’s not your fault/it’s all just chemical/You’re not a prick/You’re sick/it’s medical…You’ll ride it out and then you’ll laugh/Please believe that this too shall pass
Behind this verse, Tawiah’s voice gradually comes to the fore, repeating the reassurance. I’ve not found it easy to get to grips with R&B voices, but her lovely, emotive, crying voice is used perfectly here.
I was impressed by, and drawn to, Ahmed before I got to this track: I felt close to him after I had heard it.
In the next track, A Few Bob, Tawiah features again. This is the first song to use a narrative structure to carry its theme. Bob, a hapless everyman, is caught in debt and the financial crash. Tawiah sings:
When the house of cards/comes falling down/I’m left holding the joker/Did we come so far/for it all to fall down?/I gave you my dreams and you broke them.
Incidentally, last night Amanda and I went to a screening of a film about the NHS selloff, whose most shocking revelation was the degree to which the dismantlement of the U.K. state has been planned by American corporations and their treasonous British lackeys. This song reflects the fact that young people, who don’t share my lingering delusion in the fundamental decency of the British order, have been perfectly aware of this treason for years.
I didn’t mean this to be a track-by-track review of the album, but each song is compelling in a different way, building on what has come before without repeating. I wanted to talk about the production, which is as much a part of my fascination with Englistan as the vividness of the brilliantly observed lyrics. The electronic music is cold, restless and often disruptive, playing a part in the dramatic structure of the arguments or stories the songs tell. Much of it is in minor keys; the musical theme of the title track is one of the few obviously Asian-influenced segments: a looped phrase of, perhaps, bansuri? My ignorance shames me. I know hardly anything about Indian music, and just as little about how electronic music is produced. I assume it’s all done on Cubase on a Mac.
In other tracks, there are string duets and acoustic guitar trills, echoing, to my ears, Philip Glass or Max Richter minimalist loops. On Sunburst, this is reflected in an atonal opening theme, and the song is punctuated by anxious organ tones and percussive bell strikes until what sound like harp arpeggios lay a suggestion of hope and optimism over the darkness. However, it is on the penultimate track that the modern operatic voice comes to its powerful conclusion.
Benaz is theatre as song. Ahmed’s comic acting chops shine in the final track, I Ain’t Being Racist But…, but in Benaz, it is pure, sincere acting. It is a poem-play about the murder of Banaz Mahmoud, an Iraqi-Kurdish refugee who fell in love with an Iranian Kurdish man and was killed by her father and uncle. The true story has been sensitively and exhaustively documented in a 2012 film, Banaz: A Love Story, which, I warn you, makes hard watching. Ahmed’s rendition of the story is an imagined one, and it is beautiful. He takes her experience and makes it day-to-day; how inescapable young love is, even in the context of a life lived subject to tyranny; especially when the love is the only apparent hope of an escape from that tyranny. It is Romeo and Juliet set in pebble-dashed Greater-London terraces and fluorescent-lit Tesco Metros, with the hope of escape represented by woodland and wet grass. Woven through it is the dance of cello and violin, acoustic guitar and restrained electronic chords that heighten the tension.
It should be a story of unrelieved defeat. That it is not is thanks to a refrain sung by Ayana Witter-Johnson. It seems trite typed below, but, in context, it is gorgeous.
If I knew I’d live in shame/Just to be near you/I would do it all again/I would do it all again.
But even with that redemption, it is impossible to escape that this is the story of a reckless, stupid, ugly and bitterly cruel crime against a gentle, kind and brave young couple. Banaz Mahmoud and her lover, Rahmat Suleimani, are in my prayers, as is her braver-than-brave sister, who now lives her life in hiding.
Part of the discomfort of the film about Banaz is the way in which this family and community tragedy became a political theme and then a racist trope. This is expressed baldly in the final track of Englistan, a satirical monologue without music, in the voice of an archetypal (although unconvincingly literate) white supremacist ranter. It is funny, but it is also a catalogue of despair, especially in the context of all that has come before.
In the Newsweek interview to which I linked at the opening of this post, Riz Ahmed is quoted as saying,
I describe it as a love letter to modern Britain, which is multicultural Britain…A lot of people feel like they’ve been jilted by their country recently, or alienated, or wronged. Their country has cheated on them in some way in the past couple of years…Love letters do sometimes contain complaints.
What he has done, for me, is to describe his and my country in terms stripped of all the comforting bollocks: all the mythopoeic fog that is constructed to preserve a privilege-zone of hierarchical certainty for a subset of English identity. I love my English culture, but I know just enough history to understand that culture is not fixed: we remake it every day, and that is a beautiful thing, if we acknowledge the vitality of our variety as a national group. The idea of a fixed and unchanging England, that has been ‘betrayed’ by change is a lie, and it is a lie that hurts us, belittles us, makes us sordid and stupid.
I am a long way from my areas of authority writing about rap, and about British Asian voices. I have approached this review as a fellow-Briton, in admiration for a work of art that has gripped my imagination and touched many of my concerns. If I have said anything stupid, made any dad-mistakes while writing about an artform about which I have barely any education beyond the research I did for this post, forgive me. I mean only respect for an album that has lit the past few days for me, doing what art should always try to do: opening up the world for me, touching something within me and, ultimately, enlightening me.
I meant to sit down and write a books post today, but I have been distracted, and in the most enjoyable way.
Last Christmas Eve, I mentioned in a post that I love the album ‘An Evening With Bach‘, by the American early music ensemble, Voices Of Music. Since I made that post, they seem to have revamped their website, because it now hosts a video playlist of over 130 high definition videos of their recordings. Sadly, Schlummert Ein, the aria from the cantata Ich Habe Genug, that I love so much, is not among them, but you can listen to it here, if Magnatune’s website is behaving, which it often is not.
Another find today was the libretto of the cantata, which is here. Knowing the aria so well, I felt a sense of familiarity: the meaning of the German poetry, which I did not understand, seemed to have already formed itself in my love of the music. The first aria, Ich Habe Genug, will linger as a favourite poem, I think:
It is enough.
I have held the Saviour, the hope of all peoples,
In the warm embrace of my arms.
It is enough.
I have seen him,
My faith has impressed Jesus on my heart;
Now I wish this very day
To depart from here with joy.
The video posted above is of Dido’s Lament, from Dido and Aeneas, by Henry Purcell. The recording of the opera I favour is the 2008 CD featuring Simone Kermes, which appears to have had a reissue last year, with a moody new cover image. I prefer the earlier one.
Anyway, just for comparison’s sake, I’ve embedded a copy of Kermes’ performance below. I didn’t choose the picture, BTW.
Entirely unrelated to her corsetry, I think Kermes has a remarkable, unique voice, and her phrasing seems to me naturalistic in a way very few operatic singers achieve. Thanks to Dido and Aeneas, I have become a fan, and have bought the CD of her recording of Blood Wedding: a setting of Lorca’s play by the Danish Composer Hans-Erik Philip. It is beyond lovely. A highlight is embedded below.
Anyway, all this fanboyishness doesn’t take away from my enthusiasm for Anna Dennis’ performance with Voices of Music, which I think is spectacular, particularly as the orchestration is probably much closer to what the seventeenth century audiences at the court of Charles II would have heard. I’d encourage you to click on the link to Voices Of Music’s website, and let their videos play through good speakers. Look out for David Tayler’s lute performances and, in particular, his accompaniment to Phoebe Jevtovic Rosquist’s effortless performance of John Dowland’s Flow My Tears (Lachrimae). It’s another beloved piece of music that this remarkable group give new life.
Going back through the photos on my phone, picture after picture shows a dazzled world: clear blue skies; smiling, tanned friends; sunlight lancing through rich green foliage or glinting, blindingly off sea or lake.
Tia, the golden dog, features in many of them, and she, as much as any other element in my life, has helped to make this a summer whose memory I will treasure.
How memories last is one of the mysterious revelations of middle age: the extent to which what we have experienced descends into a soup of glimpses and sense impressions that lose their sharp edges and become blurred. I suppose that is why I blog, or a large reason for it at any rate. Already, I cannot quite remember what I was doing when I took the photo above, of Tia asleep in our back garden. I suspect it was during one of the long afternoons when I was sitting outside, drinking tea and reading crap science fiction, enjoying the sun with Charles Mingus on my headphones. That has been a key part of this summer for me. I must post about the books I’ve read; the music that has shifted from new excitement to established favourite over this wonderful, sun-drenched year.
I should also, I suppose, record my achievements over this summer. I have completed a university access course, in science, technology and maths: a major milestone for me. I have, with Amanda, enjoyed the maturing of our relationships with our Labour Party comrades on the Island: in June, I went up to London for the SaveOurNHS march, and, with my sister, we attended the Burston School Strike Rally at the beginning of September. At work, the last academic year was my most successful so far, both in terms of results and the sense that I had helped several of my learners to move on with their lives, opening up new opportunities for them.
It has also been a summer of uncertainty. My father’s lymphoma has reasserted itself, and his treatment has shifted from fighting the illness to a more palliative-focused care. We have been up and down to Suffolk, and he has been, on some visits, frighteningly unwell, and on others, his old self, if diminished, physically. One afternoon, I sat in my parents’ garden with him, reading and chatting, warmed by bright sun, and I feel now a desperate need to grab at this memory; to preserve the comfort of being with my father, to record his anecdotes and loving enthusiasm.
I am beginning to feel old, but, at the same time, I’m swamped by feelings of never having grown up at all.
When Amanda opened the blinds this morning, the world outside was blanketed by fog: our first Autumn mist of the year.
From the river, half a kilometre away, the ferry’s foghorn lowed.
Signs of autumn have been settling throughout September, of course. We have had the heating on a few nights over the last week and I have been wearing long-sleeved tops, instead of tee-shirts, when I cycle or walk. Thanks to Tia, I have watched the passing of summer in Firestone Copse, as the blackberries fruited, ripened and, now, are beginning to wither on the brambles. A fortnight ago, there were still mushrooms all round the woods, layered on tree stumps and poking through the undergrowth, but they are, for the most part, past now; either gone completely or looking wrinkled, slimy, deathlike.
Yesterday evening, in wonderful autumn sunset weather, I saw the first major turn of leaf colour, and was walking over fallen leaves for the first time his year. I took Tia off the main path, across a hidden bridge on the path that, after the winter rain sets in, will be inaccessible, as it was all last winter, When I reached the top of the last descent to the creek, the sunlight off the water screamed up at me through the woods, white and fresh, rather than yellow and warm, as it has been through the summer.
A man was at the creek edge, by the bench, throwing stones into the water for his dog to chase. Tia, who doesn’t like swimming, waded along the shallows, barking at the other dog to come and play, but not quite able to summon up the courage to throw herself in and join in the fun.
Later, I bumped into two friends who were having an after-work walk. It was a lovely surprise, but threw me out of my dream: my woods-peace. I had hoped to make it back to the main path in time to see the low sun on the bank that rises up from the path, but we talked for a little too long. By the time we made our way back, the sun was set and twilight was setting in, the woods off the path turning dark, with the sense that life was stirring within. Tia had become bored, waiting for us, and disappeared, causing anxiety and shaming me. Eventually, as the shadows on the path were turning from chocolate to black, she came bounding out of the woods, tongue lolling out of her excited grin, as if butter wouldn’t melt, and we came home to a delayed supper and annoyed wife.
And so to this morning. I am working late today: my last class finishes at eight-thirty, so I don’t have to start until midday. Thus, we lingered in bed and I got a second pot of tea; a luxury usually reserved for the weekend. I put on the kettle and opened the blind above the sink to see a forest of webs over the denuded jasmine outside the kitchen window. I grabbed my phone and went outside to get photos. The paving slabs were cold beneath my bare feet, the air damp and fresh, the stillness of the fog enclosing me like a shelter.
Something sharp, joyful and clear will be remembered, when the irritations, fears and sorrows of this time in my life are swallowed by the passing of time. The blessedness of living through nature’s greatest truth is shaping this period in my life: the inevitability of change, and the awareness that that is life’s brightest magic.
By DanceswithcatsComments Off on A Polemic About Social Media And Political Campaigning
A month or so back, a friend of mine who suffers from long-term, severe mental illness was attacked by a group of boys on her estate. They took photographs of that attack and posted them on social media.
They are pretty much immune from prosecution, thanks to the ‘viral’ response to their post. Granted, they are now pariahs in their close-knit community, and their ugly, stupid act will follow them into their adulthood, cropping up whenever they attempt to make any public progress in their lives. If you believe in mob-justice, then justice might be said to have been done. The state, however, because of the illegal publication of their identities on Facebook, Twitter and Instagram, is powerless to take action against them. It can only attempt to protect them from the self-aggrandizing vigilantism to which they have opened themselves by their use of social media and their grotesque immaturity. The legitimate, accountable, democratically-authorised legal system has been short-circuited by a foreign-owned capitalist monopoly that uses the everyday indignities of humanity as grist to its algorithms and regards legal and democratic structures as barriers to wealth creation and the self-actualisation of the cleverest, luckiest and most amoral elite in history.
I saw my friend last weekend. She is terrified. She is not engaging with the community which piously leapt to her defense after years of treating her as a local embarrassment, and she thinks the police are trying to victimise her: their inability to give her a clear course of legal remedy for her ordeal has confused the issue beyond her ability to engage with it. She is also mesmerised by her Facebook feed, which seems to be confirming her long-standing belief that the world is purposed towards her destruction. Horribly, I think that her fear that the hatred towards the boys will swing back to her may be justified. That is the nature of restless, self-righteous, technologically-enabled groupthink.
The rule of law is a mainstay of democracy. Facebook undermines that rule. It is inherently anti-democratic.
A Short History of Social Media and Political Campaigning
The 2015 Labour Leadership Poll was a triumph for people who sought to manipulate social media in the service of meaningful political change: what Jeremy Corbyn called, “…a thirst for something more communal, more participative.”
By the 2017 general election, however, the political promise of the medium had begun to be diminished by forces other than the well-directed groundswell of public feeling that had empowered the Elect Corbyn for Leader movement. I am not an unquestioning fan of Momentum, but I think that the campaign to elect Corbyn as leader was a model of how to use social media to a positive purpose. What they achieved in ‘15 was to break the ‘echo chamber’ or bubbling effect of Facebook and Twitter’s algorithms, by pulling in unsympathetic friends of sympathisers, and engaging them in debate and exposing them to sincere voices of political hope. By the time of the 2016 U.S. presidential election, and by 2017, the social media companies had realised that this was a loophole in their control of users’ media consumption and had adjusted.
Before Facebook became a publicly quoted company, focussed on advertising spend, it had been chasing engagement over content control, powering for growth, and there was a certain freedom of expression allowed to its users. By 2016, it was chasing the control of what its users were seeing to a far greater extent, refining their offering to advertisers and data-purchasers and trying to present a soothing, ‘mimetic’ (ie, reflective, flattering) experience to users which would make viewing Facebook a comfortable and reinforcing experience to which people would return without worry. That is why they bubble you. It’s not a service. It’s a mechanism of control.
Furthermore, the sophistication of the JeremyForLeader campaign, alongside the Occupy movment and the lessons learned from The Arab Spring movements, had caught the attention of other forces, both within the U.K. and outside it. Academic studies translated to media management policies which were adopted by right-wing forces and foreign intelligence services to undermine the impact of organised popular campaigns. Populism swings in many directions.
In short, the glory days are over for democrats who use social media. An open technology -the internet- that was designed to release knowledge, communication and democratic access from the establishment gatekeepers who had directed public debate since at least the 1850s, has been co-opted by a new capitalist, plutocratic, neo-liberal elite, to bind its customers into a tower of Babel, in which coherent exchange of ideas is anathema, labelled as TL:DNR.
The Limits of ‘Privacy’ Settings
Know this: a private Facebook group is not private. It is exclusive, in that the labour put into it is restricted to those who choose to sign up to it. This means that it serves as a mechanism of exclusion of those people who, for whatever reason, choose to not participate in social media. However, that ad hominen rant against a comrade to which you succumbed during the Owen Smith leadership challenge is available to the right level of advertiser, if they’re searching for dirt on the Labour Party during an election campaign.
And that situation assumes that you’re wise enough to restrict your rants to a ‘private’ group, and to not share your breathless prose in a moment of vainglory to your main feed. Or that all the members of the group have the best wishes of the party at heart. Or that the administrators have kept up with the constant changes to Facebooks privacy rules, and that the group is still actually set to ‘private’, rather than just ‘closed’. Or that no one is taking screenshots for malicious purposes.
But you know that, really. How else do the rumours of ‘green infiltrators’ get started?
Unless you delete your account -not just a single comment, but your whole account- and forego logging back into it for two weeks after you have deleted it, everything you have ever uploaded, written, sniped or ‘shared’, is sitting in a folder on Facebook’s servers, available to the highest bidder, and linked to you. Have you ever enjoyed watching someone try to backtrack on an opinion they expressed five years ago in a drunken moment? It could be you. Only the safety of the crowd protects you.
The Great Con
There is a rather mischievous argument doing the rounds in internet freedom circles that claims China actually has more politically effective internet access than the free West. I consider that nonsense: Chinese citizens have definitely scored real successes in changing government policy through internet activism, but they’ve been pretty well educated in staying away from economic, central government and foreign affairs topics. However, the state is not the only enemy of freedom, and in the West, it is not even the most powerful.
As John Lanchester puts it:
Facebook, in fact, is the biggest surveillance-based enterprise in the history of mankind. It knows far, far more about you than the most intrusive government has ever known about its citizens…Your eyes are directed towards the place where they are most valuable for Facebook.
The sight of large chunks of a socialist party beavering away, providing free labour to create content for a few American monopolist corporations fills me with despair. It is as if the Chartists had had their discussions about citizens’ rights in the tearoom of the House of Lords. In the light of what we know about how Facebook played (or, as they claim, were played, during) the last American presidential election, we should understand that they have worked out how to neutralise justice movements’ energy and commitment. They want to keep you happy, yes; that is why there are cat videos, but angry people click as well, and division is incredibly easy to sow, if you know where to lay the seeds, and you own the field.
Know this also: social media, particularly Facebook, is as much a product of manipulative psychological theory as it is a product of technology. Zuckerberg actually pursued a dual degree at Harvard: Computing and Psychology. The mechanisms written into Facebook behavioural algorithms are rooted in the theories of conditioned response which underpin the most nakedly dishonest branches of marketing, propoganda and behavioural control. The desire for a ‘like’ or a notification of any kind on a social media app or browser window, is the same conditioned twitch seeking content-free reward as is used by the designers of gambling machines. It is the behaviour of the rat that has been trained to associate a button with pleasure and will starve to death seeking the signifier of that pleasure, even when the actual reward has been removed from the process.
Von Clausewitz said that armies lose when they try to re-fight the last war. The limited, almost-victory of the 2017 election was successful, as far as it went, not because of social media, but because Labour concentrated on what mattered: having control of its content and being clear about what it stood for. The brief flowering of commercial social media as a medium of democratic liberation is over. We need to create our own fields.
We need a CLP Facebook feed, but it should be treated as a shop window, only being populated with content approved by the CLP, in a professional manner: another method among many to spread our Labour ideals to the public. It should be curated, nurtured and controlled.
We do not need a public kvetching arena, which is what our ‘private’ Facebook group is.
Get off Facebook. Start creating our own discussion groups on secure media that we own: Diaspora is a good first step, but a Rocket chat server would be more instinctive for most users and would be easy to set up, and cheap to run, and we would own it in a way we would not own a Facebook page. It would also be free of the pressure to keep up, to keep chasing the approval of an algorithm. It would remove the competitive fury inherent in social media slavery, and it would allow us to discuss again, instead of constantly arguing.
Nunns, Alex, The Candidate: Jeremy Corbyn’s Improbable Path To Power (1st ed), OR Books, New York & London, 2016,
Miller, Patrick R., et al. “Talking Politics on Facebook: Network Centrality and Political Discussion Practices in Social Media.” Political Research Quarterly, vol. 68, no. 2, 2015, pp. 377–391. JSTOR, JSTOR, www.jstor.org/stable/24371839.
Allcott, Hunt, and Matthew Gentzkow. “Social Media and Fake News in the 2016 Election.” The Journal of Economic Perspectives, vol. 31, no. 2, 2017, pp. 211–235. JSTOR, JSTOR, www.jstor.org/stable/44235006
Cited in Nunns, Alex, The Candidate: Jeremy Corbyn’s Improbable Path To Power, (1st ed) OR Books, New York & London, 2016, p143 ↑
Lanchester, John, You Are The Product, London Review Of Books, Vol 39 No. 16, Aug. 2017. ↑
Miller, Patrick R., et al. “Talking Politics on Facebook: Network Centrality and Political Discussion Practices in Social Media.” Political Research Quarterly, vol. 68, no. 2, 2015, pp. 377–391. JSTOR, JSTOR, www.jstor.org/stable/24371839. ↑
Schroeder, Ralph, Digital media and the rise of right-wing populism Social Theory after the Internet: Media, Technology, and Globalization UCL Press. (2018) https://www.jstor.org/stable/j.ctt20krxdr.6 ↑
Allcott, Hunt, and Matthew Gentzkow. “Social Media and Fake News in the 2016 Election.” The Journal of Economic Perspectives, vol. 31, no. 2, 2017, pp. 211–235. JSTOR, JSTOR, www.jstor.org/stable/44235006. ↑
I’ve subscribed to The Washington Post for the last couple of months and, on the day of Paul Manafort’s conviction and Michael Cohen’s confessions, it has paid off. Do not believe that Trump is unassailable: his poll numbers are at least 10 points below what a president with current employment figures and a bull market should expect.
Previous presidents who were in office during times of robust economic expansion, with low unemployment and a roaring bull market, generally had average approval ratings well over 50 percent. Trump’s egregious misbehavior consistently costs him at least 10 points in the polls.
Trump’s economic policies are, almost inevitably, going to lead to another huge economic crash, probably in the next twelve months. At that point, he is finished, apart from the prospect of a drawn-out, agonising criminal trial. While his incomprehensible moment of political power will, hopefully, lead ultimately to a redrawing of the structures of economic and political injustice in the U.S., I shudder to think what the immediate consequences of another 2008 will be for ordinary Americans, and, worse, poor people around the world.
Sickening and frightening as the apparent collapse of democracy and the rule of law in the United States is, the miasma of chaos that the ultra-rich have spun around politics is a global disease. In the video above, Christian Caryl, the democracy editor of The Post, gives a nice overview of the essence of inequality in politics: corruption.